Susan Stover builds her art like a puzzle, one painted and stitched piece at a time. Step inside her creative world, where thread, paint, and imagination are always in motion. Inspired by stories, travel, and the way things are held together, Susan lets her ideas grow as she works, following her curiosity wherever it leads.
What are some of your earliest memories of making things with your hands?
I grew up drawing, painting, learning how to knit, crochet and embroider. My maternal grandfather was an artist and my paternal grandmother was a fine seamstress.
You studied both textiles and painting. What first drew you to those two worlds?
I started as a painter, but to be honest, the painting department in undergrad wasn’t too inspiring. I met someone who was a weaver and decided to take some classes in the textile department. I didn’t think of textiles as an art form before, but fell in love with it. It was something that was familiar, and I love working with my hands.
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Your work sits somewhere between painting, textiles, and sculpture. How did that unique mix develop?
I think I’ve always been interested in constructing things. In grad school, I focused on complex woven structures, but approached the work much like a painter. It’s a challenge for me to figure out how to construct a piece, like putting together a puzzle.
Your work often feels structured but also spontaneous. How did you develop that balance?
I often start with a general idea of a shape or a structure, but it really develops as I go. Sometimes it will turn out very different from where I started.
Looking back, how has your work changed over the years?
My work is always changing. What I feel remains consistent is the connection to textiles, whether in pattern, structure, or materiality. The form it takes changes, but I think that is the element that is the thread that runs through everything.
Your work explores ideas like fragility, stability, and how things are held together. What first sparked your interest in those themes?
Again, I think that goes back to the idea of construction. How things are joined together and the relationship of individual elements. I think of it metaphorically and physically. It has to do with my feeling that the societal, cultural, and political structures and norms are actually pretty fragile.
You’ve traveled and taught around the world. How have different cultures influenced your work?
I love learning about other cultures, customs, rituals, and beliefs. One of the things that interests me about textiles is that they tell that story.
Do you usually work on one piece at a time, or do you have several projects happening at once?
I usually have a few things going at once. Since I have to paint the elements before I stitch them, I’m usually waiting for the paint to dry for the next piece while I’m stitching the one I’m working on.
Your work involves a lot of repetitive stitching. What happens in your mind during those quiet, meditative moments?
I listen to a lot of podcasts, books on tape, and currently I’m trying to learn Spanish. While there’s still decision-making during this time, I can also let my mind be occupied while my hands are busy.
Your work has both 2D and sculptural elements. What challenges come with working between those worlds?
It doesn’t feel like a challenge to me. I think they inform each other. I like to think that they have a conversation going.
Is there a piece or series that pushed you outside your comfort zone?
I actually have a hard time just doing a straight painting. I always seem to need to add some other element. It’s something I’d like to work more on.
What keeps you curious and motivated after many years of making art?
I have so many ideas!
What advice would you give to someone just beginning to explore fiber or mixed media art?
I’m a strong believer in getting to know your materials—what they can do, their limits, and possibilities. Materials can convey a lot in and of themselves. You can use that to help deliver your concepts, but it can also get in the way of the message.
Where can people see your work?
I’m represented by Carrie Haddad Gallery in Hudson, NY and Cura Contemporary in Morgan Hill, CA. I’m having a solo show in September at Garrison Art Center in Garrison, NY.
Website: susanstover.com
Instagram: @susanstoverart
Rapid-Fire Fun:
One material you can’t live without? That’s hard! I think if I only had paint (and a surface to paint on), I could keep busy for a long time.
A favorite place you’ve traveled for inspiration? Indonesia for sure.
One word that describes your creative process? Contemplation
What are you excited to explore next? More painting and collage.
Interview posted April 2026
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